Upcoming Public Lectures
I speak at a variety of meetings and events about the art and architecture of the ancient Maya, my research in the rainforest and general archaeology topics.
“Thank you for taking the time to come and talk to the Branch today. You saw the reaction, they were really interested and totally appreciative of your talk. It was the best reaction there has ever been to a talk!”
Alf Wilkinson, Lincolnshire Branch of the Historical Association
“It was a great pleasure to host you this morning for your presentation on the Maya and the rainforest of Guatemala. Yours was one of the best crafted and informative talks that I have heard at Probus since becoming a member. The multitude of questions and discussions afterwards from most of our audience was a testament to their interest in your lecture.”
Chris Bevan, Probus Beaconsfield
The Magnificent Maya: Fact and Fantasy. Tenterden U3A.
There are many talks I am giving throughout the country for the Arts Society, for more information
If you would like to read further on the Maya then visit my resources page.
1. The Magnificent Maya – Fact & Fantasy
The Maya created one of the most sophisticated civilizations in the ancient world. Their achievements in the arts and sciences, along with their complex social, political and economic systems, make them one of the most remarkable culture groups in the pre-Columbian Americas.
These people brought us an intricate calendar system, complex hieroglyphic writing, some of the largest pyramids in the world, a form of ballgame that was like no other and most importantly chocolate!
This lecture will discuss the major achievements of the Maya as well as pointing out the common misunderstandings we have of this remarkable civilization.
2. The Splendour of Colours: Painted Vessels of the Maya
The ancient Maya of Central America created the most exquisite painted vessels. The
scenes from these vessels give us a fascinating insight into the ancient life of the people.
Aside from their beauty as objects of art, they aid both the archaeologist and art historian in understanding the context of the Maya universe, from palace scenes and sporting events, to mythology and tales of the underworld.
In the absence of the wheel, the techniques of ceramic making will be discussed as well as their different styles and themes, thus confirming their place amongst the great painting traditions of the world.
3. The Lords of Creation – Kingship in Maya Art
Art, inscriptions and architecture were commissioned by Maya kings from Central America to memorialise themselves and ensure their place in history.
This lecture will look at images that describe the transformation of a human being into a king, the wielder of sacred authority and the rituals that were carried out to re-establish their connections with the cycles of time and their ancestors.
The purpose of art itself, was to document the bloodlines of kings and so various examples will be given, including the spectacular murals of San Bartolo, Guatemala, where Diane Davies carried out her research.
4. Reading Maya Art
The Maya from Central America were one of only 5 cultures in the world to independently develop a fully-fledged writing system.
Of all the world’s early scripts, the Maya script is quite possibly the most beautiful. Maya hieroglyphs are more than just a writing system, they are an art form – in fact, the Maya use the same word for both writer and painter.
This lecture will look at the artistry of Maya writing, their painted paper books (codices), the history of decipherment, as well as the most intricate and complicated calendar system in the entire ancient world.
5. Survivor! Digging in the Maya Rainforest
This lecture gives insight into the practicalities of being an archaeologist discussing how sites are found and how excavations are carried out, as well as the logistics of setting up camp in remote and difficult areas.
Through stories and personal videos, Diane will discuss her experience of being an archaeologist with particular reference to her research in the Maya rainforest. Caution: spiders and snakes will be mentioned!
6. The Origins of Chocolate
Can you imagine a world in which chocolate does not exist? We have the ancient Maya of Central America to thank for this wonderful substance.
The Maya were the first culture to harvest the cacao bean for making their chocolate drinks, which became the ‘champagne’ of Central America.
This lecture will discuss the origins of cacao, how it was harvested and used, noting its place in Maya culture.
Diane will also talk about how the cacao bean became a form of currency later by the Aztecs and finally how chocolate arrived in Europe.
7. Who owns the Past?
The past and its remains are continually altered and reinterpreted, as we in the present continually interact with them. Ancient buildings, sculptures and burials have been manipulated by different sectors of society, such as ruling and minority groups, the media and archaeologists, which leads to the important question of who owns the past and its remains?
In trying to provide answers the presenter will address the issues of looting and the antiquities trade, museums and the return of cultural property and archaeological excavation and repatriation of human remains.
8. Clothing and Personal Adornment: Identity and Meaning in the Maya World
Using archaeological evidence from painted ceramics, murals and sculpture, the richness of adornments will be explored, from the exquisite, feathered headdresses and jewellery made of jade and shell, focusing on the techniques behind such pieces of art.
In the absence of the wheel, the method and process of weaving will be discussed, and in particular the continuing tradition of huipiles worn by Maya woman today. These stunning cotton blouses with the most intricate of designs are distinct to the community they are from and act as a form of identity.
9. The Painted Maya World: The Murals of Bonampak and San Bartolo
Although the Maya world was a painted one, little is preserved from the humid rainforest in which they lived. However, two murals have been recovered which represent not only outstanding examples of a painting tradition – rich and complex in every respect, but a wealth of information regarding ancient Maya society; religion, cosmology, kingship and courtly life. The lecture will focus on these murals: Bonampak, Mexico (8th century AD) and San Bartolo, Guatemala (1st century BC), the latter being where the presenter carried out her research. Materials used, technique, iconography and the artists behind the work will be discussed.
10. How did they do that? Archaeological Mysteries Explained
Have you ever wondered how ancient societies were able to build such awe-inspiring monumental architecture often without the use of metal tools, the wheel or pack animals? The mystery of how the materials were transported and transformed into great pyramids, monuments and temples will be explained and the resourcefulness, ingenuity and skill of the ancient cultures will be discussed.
The presenter will also explore the popular pseudoscientific interpretations seen in popular culture and media and explain the reasoning behind why particular ‘myths’ in archaeology remain so popular.
11. Social Memory and Identity in the Reuse of Ancient Monuments
The ruins of ancient settlements are dramatic and dominant features of the landscape today and abandoned architecture and monuments were also significant features of the landscape in the ancient past. How did people interact with remnants of architecture and monuments built during earlier times? Social memory could be used in directly connecting to ancestors in a remembered past to create a sense of individual or community identity, or to legitimate authority.
The lecture will discuss how meaningful information about the economic, social, political and ritual organisation of an ancient society can be gleaned by investigating the reuse of buildings, monuments, tombs and artefacts.
A write-up about my talk at the Berkshire Archaeology Society.
Painted Vessels of the Maya. U3A Archaeology Group, Wendover. 13 November.
The Magnificent Maya. Guatemalan Families Association Annual Event. 14th April.
Ancient Maya Kingship. U3A Archaeology Group, Wendover. 13th June
The Ancient Maya and Life in the Rainforest of Guatemala. Probus Club of Beaconsfield, Beaconsfield. 11th January.
Misunderstandings of the Ancient Maya as revealed by the Murals of San Bartolo, Guatemala. Lincolnshire Historical Association, Sleaford. 3rd November.
Men as Gods: Ancient Maya Kingship. Berkshire Archaeological Society, Reading. 15th October.
The Maya Civilisation and Caracol Charity. The Caracol Project fundraising event, Amersham. 15th September.
The Discovery and Decipherment of Maya Writing. U3A Archaeology Group, Wendover. 12th July.
Introducing the Ancient Maya to the Classroom. Historical Association Annual Conference, Harrogate. 20th May.
Misunderstandings of the Ancient Maya as revealed by the Murals of San Bartolo, Guatemala. Buckinghamshire Historical Association, Aylesbury. 17 February.
Engaging Minds Lecture. Verulam Secondary School, St. Albans. 6th October.
The Magnificent, but Misunderstood Achievements of the Ancient Maya. Chess Valley U3A History Group, Chesham. 13th June.
My Life as a Maya Archaeologist. Wendover U3A Archaeology Group, Wendover. 12 May.
Myths about the Maya. Maya on the Thames. Third Annual Workshop on Maya Myths and Glyphs, 19-21 September, Institute of Archaeology, UCL, London
Past Identities, Present Legitimation: the Reuse of a Late Preclassic Residential Group at the Maya Site of San Bartolo, Guatemala. Institute of Archaeology, University College London. 30th May
Making the Invisible Visible: The Use of Chemical Analysis in Revealing Past Activities at the Maya site of San Bartolo, Guatemala. Paper presented at the Day on the Maya Conference. 29 November, Institute of Archaeology, UCL, London.
The Invented Past: The Creation and Re-creation of Social Identity. Paper presented at the 110th Annual Meeting of the American Anthropological Association, 16th-20th November, Montreal, Canada.
Life and Death at the Archaeological Site of San Bartolo. Co-authored with Shintaro Suzuki. Paper presented at the 109th Annual Meeting of the American Anthropological Association, November, New Orleans.
Los Entierros Humanos del Sitio Arqueologico de San Bartolo, Peten, Guatemala. Co-authored with Shintaro Suzuki. Paper presented at Universidad Autonoma de Yucatan, October, Merida, Mexico.
The Value of Chemical Analysis in Understanding the Function and thus Activities carried out in Ancient Structures: Results from the Maya site of San Bartolo, Guatemala. Paper presented at the 75th Meeting of the Society of American Archaeology, April, St. Louis.
Social Memory and Identity as reflected in the Reuse of a Residential Group at the Maya Site of San Bartolo. Paper presented at the 42nd Annual Chacmool Conference, University of Calgary, November, Calgary, Canada.
Investigando un grupo residencial en el sitio Maya de San Bartolo: Uso y Reutilizacion. Paper presented at the XXIII Simposio de Investigaciones Arqueologicas en Guatemala, July, Guatemala City. Guatemala.
Reuse of a Late Preclassic Residential Group at the Maya site of San Bartolo. Paper presented at the Society for American Archaeology 74th Annual Meeting, April, Atlanta.
What is Old is New Again: Patterns of Reuse in San Bartolo’s Late Classic Reoccupation. Co-authored with Astrid Runggaldier, Jessica Craig, Monica Pellecer and Roxzanda Ortiz. Paper presented at the Society for American Archaeology 73rd Annual Meeting, April, Vancouver, Canada.